An ongoing series of photographs and 3D scans of Los Angeles' Indian laurel fig trees, exploring the interactions between street trees and people in the urban environment.
See images below and more information about the series.
![Urban Tree Portraits (2012—) Big Bird](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
(2020)
![Big Bird (Tree, Los Angeles)](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Big Bird Framed](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
(2020)
archival pigment print
36 x 31 inches
![](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) 557](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![557, Fairfax Avenue, Los Angeles](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Little White Hat](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
(2017)
![Little White Hat (Tree, Los Angeles) (2014) archival pigment print 24 x 14.5 inches or 40 x 24.25 inches](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Thief, Fairfax Avenue (Los Angeles)](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Moreton Bay Fig, Santa Barbara (Fence)](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
(2021)
![Burl and Root Baroque (Los Angeles)](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
(2018)
archival pigment print
![Green Dot, Manchester Avenue, Los Angeles](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
archival pigment print
12.375 x 18 inches
![Thief (Tree, Los Angeles) (2013) archival pigment print, hand-colored with pastel pencils 12 x 17.25 inches](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Chalk Heart, Convoy Street, Playa del Rey](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
Central Booking)"
(2017)
![You Have the Right to Remain Silent (Tree, Los Angeles) (2014) archival pigment print 18.75 x 17.5 inches or 40 x 37.5 inches](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
Fairfax Avenue"
(2019)
![Helen Was Here (2017/2019) archival pigment print, 18 x 12.5 or 24 x 16 inches](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Detail of He Responds to His Name (2017/2019)](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![He Responds to His Name (2017/2019) archival pigment print](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
(2012/2013)
archival pigment print,
hand-colored with pastel pencils
16.5 x 24 inches
![Etant Donnés (Tree, Los Angeles) (2014) archival pigment print, hand-colored with pastel pencils 24 x 16.5 inches](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Red Curb](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Elephant](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Equation (Tree, Los Angeles)](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Little White Hat (Tree, Los Angeles) (2014) archival pigment print 24 x 14.5 inches or 40 x 24.25 inches](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
acrylic on 3D-printed PLA plastic
derived from photogrammetry 3D scan
8 x 6 x 6 inches, ed. 1/3
Private Collection, Lincoln, NE
![Totem Sculpture, four views](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Helen Glazer, Totem](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Screenshot of 3D scan, Culver Boulevard, Playa del Rey](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Asphalt Eater 2](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![Urban Tree Portraits (2012—) Slide](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
(2018/2020)
![The Scream, after Edvard Munch](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
![The Scream woodcut](http://helenglazer.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
Los Angeles
These are part of an ongoing photographic series of trees in urban environments, which relates to a larger theme of all my projects over the past 16 years: the search for a deeper understanding of what natural forms tell you about the particular conditions of the moment. The main body of work has been photographed on successive visits to Los Angeles of Indian laurel fig trees, a Southeast Asian species planted along neighborhood streets there and in other cities on California's Central Coast. With their smooth bark and humanoid forms, they have an animated, expressive presence. They're sturdy survivors, bearing the traces of time's passage and the indignities visited upon them, still standing. I highlight their distinctive profiles and gestures by replacing the backgrounds of my photographs in post-processing with color gradients, as if the tree had posed for a studio portrait. I also capture them in three dimensions using photogrammetry.
Santa Barbara
I also have a series of photographs of the Moreton Bay Fig in Santa Barbara, California, a gigantic Australian import planted over 140 years ago, which are presented here as a separate slide show.
Background: I first noticed rows of strangely humanoid Indian laurel fig trees along a busy Los Angeles thoroughfare, after family members moved there in 2012. On subsequent visits, I realized they are widely planted. From Little Tokyo to Beverly Hills, they endure similar treatment: bearing the scars of interaction with humans — staples, nails, street lamps, bits of torn posters. For decades they have also provided a seemingly irresistible surface for graffiti carvers. They frequently push back forcefully against the concrete and asphalt that contains them, cantilevering sidewalk slabs and curling their roots over curbs. Eventually I discovered that they are Ficus microcarpa 'Nitida,' a non-native Southeast Asian shade variety frequently used as a street tree in Southern California. My research turned up a government report that indicated that this species comprises 5% of the trees in LA. I have photographed them repeatedly and my series has gradually grown to encompass neighborhoods all over the city.
My underlying motivation is to find beauty in an unexpected place, complexity and layers of experience in something we think we already know, underlying relationships in what at first glance seems random, and experiences that cannot be fully described verbally. I search for a deeper understanding of what natural forms tell you about the particular conditions of the moment, and in the case of the Indian laurel figs, the story is one of interaction with human beings in a non-native urban environment.
I have also 3D-scanned the trees using photogrammetry, and produced one of these scans as a small sculpture. Read more about the process I use.
Image Notes: Dates given as (year photographed/year edited and completed). Sizes are given for ones that have been printed, but all are available in the 12 x 18, 16 x 24, or larger sizes, in editions of 10.